Drift grew out of a melody I wrote a while back when I was asked to compose some music for a production of King Lear. One of my main efforts in this piece was to maintain a mysterious, haunting mood, and I've also tried to use rhythmic pauses to greater effect here than I have in other pieces. Drift has a smaller sibling, called "Glide," which is a short Etude spawned by one of the passages in Drift. Glide is available as a free download.

 

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Part 1 of the "Insect Kingdom Suite," March of the Ants is a programmatic work, depicting the highly structured and soldier-like existence of ants. You can hear the ants working tenaciously, even rallying against enemies in battle, eventually marching on, nothing standing in their way.

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Scheeringa is actually the last name of a friend of mine, and I used the name because it sounded Irish to me, and very sprightly.  It turns out, the name is actually Dutch, but it still seems fitting to me. I studied Scottish and Irish music during my time at Peabody, and tried to capture some of that flavor in this composition.

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Noctum is Latin for "Night."  For me, this piece captures the feeling that night-time delivers.  I wrote the entire piece over the course of many nights, and I only worked on it during the calm silence of the night.  It was also an exercise for me, to see if I could keep the melodies simple and haunting, having no more than two lines weaving around each other at a time.

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Ruckschlag is German for "frustration."  I'm sure the music will make more sense with that in mind.  I studied Bartok's compositional style during my graduate studies at Peabody, and used several of his stylistic elements in the writing of this piece.

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Pensatina is pensive and even slightly lamenting. "Pensativa" is Spanish for "Thoughts" or “Thinker,” so I just changed the word slightly for aesthetics.

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Ash and Pixie Dust was written about contrast.  I meant for the darker side of the piece (mostly carried in the bass line) to be represented in the title by the "Ash" while contrasted simultaneously by the lighter, more melodic line, the "Pixie Dust" (after Tinkerbell from Peter Pan--the dust that made everyone fly.)

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Part 2 of the "Insect Kingdom Suite," The Butterfly Princess is also programmatic, but has an unusual sound; I used the Chinese modal pentatonic system to write this piece to convey a distinctly "Asian" flavor.  You can hear a single butterfly in the beginning of the piece, but it eventually flies into a field of flowers and is joined by clouds of butterflies.  The butterfly flies off on its own again and finally settles down on a flower. Read More... divider image